IMRAN® has been making music since 1982 — long enough to be on a magazine cover before most of the world had a synthesizer, and current enough to reach six figures of monthly listeners. The work runs from instrumental electronica to cinematic rock, and now to the soundtrack of a saga.
An independent catalog, distributed through CD Baby and DistroKid, reaching a six-figure monthly audience without a label behind it.
IMRAN® starts making electronic music — composing with synthesizers and sequencers when the form was barely known in the region.
Profiled in a cover story by the Jang newspaper's Sunday Magazine — credited as the first electronic music maker in South Asia.
The debut album, released independently through CD Baby and carried to iTunes, Spotify, and the rest of the world's stores.
Four singles out now, with more on the way — the catalog's most prolific stretch, distributed via DistroKid.
The next album — the recorded score of the novel and the screenplay, with a title theme written like a film's opening sequence.
The 2002 album reimagined as vocal songs for its silver anniversary. Singles are finished and queued to drop after the Happy Endings cycle.
The original magazine, scanned from IMRAN®'s archive.
Plus the released singles above, gathered into the album.
Drummers and guitarists: Happy Endings and Midnight Rose were made to be played along to. Film your take, post it to YouTube, and enter for a year-end prize.