The Happy Endings saga was written for the screen as much as the page. The first feature screenplay is complete and available for option — and it does not arrive alone: it comes with a published novel and a recorded soundtrack, written as a single body of work rather than adapted after the fact.
Feature screenplay · the opening chapter of the saga
A feature-length screenplay drawn from the first novel of the Happy Endings saga — a thriller-romance with the scale and tone of a contemporary spy picture, scored by an original title theme already released as a single. The book, the score, and the script were built together, so a producer options not just a story but a finished world: cover art, a soundtrack, and sequel material already in hand.
[One- or two-sentence logline — edit before sending to producers and agents.]
A short, finished logline goes here. Until it is set, this block reads as a deliberate placeholder so the page never looks broken.
The same title exists as a novel, a soundtrack, and this screenplay — each released under the Quantum Lair imprint and label. For a studio or producer, that means the property arrives with a built audience, a finished score, and cover-ready art already in market.
Options, representation, festival, and co-production inquiries:
Crew and collaborators can also reach the project through the collaborate page.